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Title
: A Bad Woman’s Story: A Translation of
Buri Aurat Ki Katha
Author : Kishwar
Naheed
Publisher :
Oxford University Press
Year : 2009
Pages :
196
Contents
:
To My Readers.
1.
First
Stage. 2. First Step. 3. First Prostration. 4. First Idol. 5. First
Appearance. 6. First Slip. 7. Mahlaqa's Tale. 8. At Meera Bai's
Feet. 9. The Birth of Yashodhara. 10. Uncrowned Zarrin. 11. Discreet
Laila. 12. The Woman with the Whip. 13. Sana on the Gallows. 14. Eve
and the Son of Adam. Glossary
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This book is Kishwar Naheed's response to those who are quick to
label a woman as bad. It is a searing indictment of a society
that uses custom, religion and even brute force to keep women
down. She hits out hard and fearlessly at social and political
injustices and at the materialism and sham religiosity she sees
around her. It's what you would expect of one of Pakistan's
leading feminist poets, known for her defiance and
outspokenness.
Born to a conservative family in pre-partition India, at a time
when women were in such purdah that they could not show their
hand to a hakim without dipping it in flour, Naheed saw these
same women turn into political activists in the run-up to
Partition. She too learned to do battle early on--to go to
college like her brothers, to express herself and, at the age of
19, to marry the man of her choice. The marriage turned sour and
it is an indication of her refreshing candour that she doesn't
gloss over her hurt and disappointment. Rich in literary,
historical and cultural allusions,
A Bad Woman's Story is
written in a punchy, witty style that keeps the reader engaged
and entertained from beginning to end.
[from the back cover]
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Title :
Burning Bright: Irom Sharmila and the
Struggle for Peace in Manipur
Author : Deepti
Priya Mehrotra
Publisher :
Peguin
Year
: 2009
Pages :
219
Contents:
Acknowledgements. Preface. Murder of Innocents. The Making of an
Activist. Growing Years. Inheritance: Ancient Glory. Grandma’s Tales
and Women’s Wars. Flaming Torches.Insurgency. AFSPA, the Unlawful
Law. ‘Habitual Offender’. Redefining Development. Women’s Solidarity:
Movement Against Rape. Body Politics: Two Unique Protests. Soul-Force
and Non-Violence. Civil Disobedience and Democratic Dissent. Widening
Circles: Flight to Delhi. Solitary Confinement. A Pure Activist for
Human Rights. Solidarity: The Power of the Powerless. The Road to
Peace. Miles to Go. Epilogue: Inside the Labyrinth. Notes. References |
Irom Sharmila
has been on a fast unto death for eight years, demanding a
repeal of the draconian Armed Forces Special Powers Act in
Manipur. Ten innocent people were mowed down by security forces
in Malom, a village near Imphal, in November 2000. The
perpetrators were not punished, protected under the Armed Forces
Special Powers Act which empowers military and para-military
personnel to arrest, shoot, even kill, anyone on the grounds of
mere suspicion. In response to this tragedy—one among many such
atrocities—Irom Sharmila, a young Manipuri, began an indefinite
hunger strike. The government arrested her and force-fed her
through nasal tubes. She has been released and re-arrested
innumerable times since then, but has stood by her demand,
steadfastly refusing to eat until the Act is repealed.
Burning
Bright is a hard-hitting account of a people caught between the
crossfire of militants and security forces; of a once- sovereign
kingdom whose culture has been brutally violated; of the many
voices of dissent— from underground groups to the Meira Paibis,
a women’s movement opposed to all forms of violence whether by
the state or insurgents and a moving portrait of ‘the Iron Lady
of Manipur’. [from the back cover]
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Title :
Fireflies in the Mist: A Novel
Author : Qurratulain
Hyder
Publisher :
Women
Unlimited
Year :
2008
Pages :
378
Contents: The
Little Bird: Remembering Qurratulain Hyder. Part I: 1. Caledonia. 2.
The Golden Album. 3. Lotus River. 4. Song of the Padma Boatman. 5.
Typhoon Uma. 6. Woodland. 7. The Rev. Paul Mathew Bannerjee. 8. A
Sari for Virgin Mary. 9. The New Testament. 10. Cloudland. 11. The
Ayah. 12. Lily Cottage. 13. Wandering Minstrel. 14. Miss Rosie
Bannerjee and Solidarity. 15. The Cloud Messenger. 16. The Sundarbans.
Part II: 17. Arjumand Manzil. 18. The Nightmare. 19. Monsoon Melody.
20. Song of the Seasons. 21. Quit India and People's War. 22. The
Rebel. 23. Ganga and Brahmaputra. 24. Charles Barlow, Bengal Civilian.
25. Comrade Rehan Ahmed. 26. The Muezzin's Call. 27. Jehan Ara Begum.
28. Cow-Dust Hour. 29. Shrimati Radhika Sanyal. 30. Luna's Grove. 31.
The Bridal Palanquin. 32. Kamal and Akmal. Part III: 33. Birds of
Paradise. 34. Esther Giribala Bannerjee. 35. Yasmin Belmont, Dark
Dancer. 36. Pilot Officer Akmal Murshidzada. 37. The Pacifist. 38.
Good Luck Diary. 39. Scheherezade Christina Belmont. 40. Swami
Atmananda Shanker Premi. 41. The Playhouse. 42. Victorious Morning
Star. 43. Richard Barlow. 44. The Weavers. 45. The Kite-Flier. 46.
Old Ganga.. |
"The plaintive song of the boatman on the Padma,
a green haze of rice fields turning to gold in the light of the
setting sun, the romance of Bengal caught and held in the
silvery net of a fisherman's haul.... Ambitious, subtle and
intricately structured, Fireflies in the Mist spans nearly four
decades of East Bengal's history, from the dawn of nationalism
to the restless aftermath of the bloody struggle for an
independent Bangladesh. At the centre of this many-centred novel
is Deepali Sarkar, a young Hindu attracted to the extreme left
wing of the nationalist movement, and Rehan Ahmed, a Muslim
radical of Marxist inclinations who introduces her to the life
of the rural deprived. Their common engagement draws them into a
quietly doomed love affair.
Through their relationshi Hyder explores the
growth of tension between Bengal's Hindus and Muslims who had
once shared a culture and a history.
"History", Says Hyder, "Is another name for humanity's inability
to learn its lesson". Lit by the flare of Hyder's prose, history
is captured in the glow of the firefly's wing, unfolding in the
lives of her characters as they try to come to terms with their
own and Bengal's shifting fortunes."[from the back cover]
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Title :
Her
Story, Our Story and on the Swing:
Short Stories and a Novella
Author : Vibhavari
Shirurkar
Publisher : Stree
Year
: 2008
Pages :
230
Contents:
Foreword. Introduction. Part I. Short Stories: Her Story, Our Story:
1. Come, Hear Their Whispers. 2. Sacrifice. 3. The Light Within. 4.
Avinash. 5. Love: Nectar or Poison? 6. My Mother, My Enemy? 7.
Married Bliss? 8. Empty Vessels. 9. My Father's Family or Mine? 10.
Divine Love or Animal Passion? 11. With Eyes Wide Open. Part II.
Novella: On the Swing: 12. A Critic's note. 13. Translator's Note.
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"In the short stories, Vibhavari Shirurkar (the pseudonym of
Malatibai Bedekar), had bravely written on the complex yearnings
of young girls, touching upon their sexuality and their
tentative steps to an inchoate self-hood, and in the novella, of
an abandoned wife's courage in forming a new relationship. This
outraged middle class respectability. When the yet undiscovered
author's effigy was burnt on the streets of Pune, the pseudonym
used protected her.
In the 1976 edition of Kalyanche Nishwas (Popular Prakashan),
the author added a note on the public reaction to this work when
first published, which has also been included in this volume.
She declared that her portrayal of young working women being
financially exploited by their fathers, of their being drawn
towards devious men despite themselves, or their severe stress
as widows or abandoned wives, was a diluted version; the reality
was much worse.
These fictional works, translated into English from the original
Marathi for the first time, and accompanied by a critical note,
written in 1933, by the sociologist and Marathi Encyclopaedist
S.V. Ketkar, are like a slice of social history. Together, Her
Story, Our Story and On the Swing speak about women who loved
and lost, despaired, doubted the choices they made, yet made
them nevertheless." [from the back cover]
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Title :
The
Road LessTravelled:
The Life and Writings of Vinodinee Neelkanth
Author : Aparna
Basu and Shailaja Kalelkar Parikh
Publisher :
Stree
Year
: 2009
Pages : 320
Contents
:
Foreword.
Contributors and Translators. Part I. Biographical Sketch. Family
Tree. 1. Introduction. 2. Social Milieu and Family Background. 3.
Education and Development. 4. Travel and Marriage. 5. As a Writer. 6.
Family Life. 7. Afterword. 8. Reminiscences. A Chronology.
Sources. Photographs Between. Part II. Translated Works.
Journalistic Writings. 9. Who is Akhanda Saubhagyavati?. 10. At the
Beside of the Sick. 11. An Educated Daughter. 12. Teaching an Old Dog
New Tricks?. 13. Geetabai. 14. Who is Poor?. 15. Rites and Rituals:
At What Cost?. 16. Mutual Charge Sheets. 17. As Good as a Son. 18.
Lalita. 19. The Daughter: A Millstone?. 20. She Deserted Her Baby.
21. The Daughter-in-Law Is Always the Culprit. 22. The Curse of the
Dowry System. 23. From Beggar to Business Woman. 24. Mudra Puts the
Train Back on Track. 25. Social Service. 26. Rejoicing in Death?. 27.
Wild Flowers. 28. Long-faced Wife: Why Am I So?. 29. Jamnabai Finds a
Vocation. 30. Mother-in-Law Becomes Self-Reliant. 31. A Unique
Courthouse. 32. Sumitraben: A Unique Mother-in-Law. 33. Snap Judgments.
34. Crying Over Spilt Milk. 35. “The Gandhian Couple”. 36. A Daughter
Has Her Revenge. 37. Selfless Love. 38. Two Sides of the Same Coin.
Essays. 39. The First Glimpse. 40.
Kashmir. 41.
Dalhousie. 42. The Splendour of Spring. 43. Sabarmati in Spate. 44.
The First Day of April. 45. Nostalgia. 46. Yearnings. 47. “The Day”.
48. The Ultimate. A Chapter From the Novel Kadaleevan. 49. Hasmukhbhabhi.
Short Stories. 50. The Noble Heart. 51. Bakari Id. 52. Wild Winds.
53. The Witch. 54. The Chameli Flowers. 55. Som and Mangal. 56.
“Luckily”. 57. Vibhavari. 58. A Bird of Two Nests. Complete List of
Published Works. Index |
Vinodinee
Neelkanth, whose life spanned most of the twentieth century
(1907-1987), was in today’s language an empowered woman who
lived her life according to her own beliefs and convictions.
Born into one of the leading reformist families of Gujarat, she
made bold and unconventional choices in her life and she began
writing in 1928. Whereas her essays are milestones in Gujarati
Literature, her short stories and novel focused mainly on women.
Most of her journalistic writings aimed at encouraging women to
speak up for themselves. Insofar as she strove to give women a
sense of identity, she may be regarded as a precursor of
feminist literature of Gujarat.
The first part of the volume is a brief biography of Vinodinee
Neelkanth, placing her life and writing in a historical
perspective. Part two consists of translations of selected
pieces of her writings from all genres, giving an insight into
the social change Vinodinee was attempting to bring about. The
volume will be of interest not only to students and scholars of
gender and feminist studies and sociology, but also the general
reader.[from the back cover]
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Title :
The
Weave of My Life:
A Dalit Woman’s Memoirs
Author
: Urmila
Pawar
Publisher : Stree
Year :
2008
Pages : 348
Contents
:
Acknowledgements. Preface. Introduction. A Note of Kinship.
Illustrations Follow. The Weave of My Life. Glossary. Afterword.
Reader’s Reactions to Aaydan. |
Urmila Pawar is
one of the foremost literary figure in Marathi. Her short
stories, though comparatively few in number, have caught the
imagination of present-day readers.
‘Aaydan’
Urmila Pawar’s thought provoking memoirs, spare no one including
herself. The author links her mother’s act of weaving baskets,
aaydans, to her own ‘act of writing’. Translated for the first
time into English as ‘The Weave of my life’, Urmila’s memoirs
describe the long journey from the Konkan to Mumbai, bringing to
a fruition the struggle of three generations for a dalit
modernity, about which readers have hitherto heard so little.
Urmila writes frankly of the ‘private’ and ‘public’ aspects of
her life: of falling in love with Harishchandra as a young
teenager, and marrying him in the teeth of family opposition, of
the young couple and their children moving to Mumbai, of her
many sustaining friendships with women and her work. Her talking
openly about familial and marital conflicts, of the grievous
shocks that life dealt her, outraged even some of her admirers.
A long-term member of the dalit and women’s movements, Urmila
offers a cogent critique of feminist and politics.
Her accounts of how she began to write, to participate in dalit
literary conferences and founded a women’s literary conferences
are engaging. Like her on dalit women in the Ambedkarite
movement, now archived, her memoirs too are high documentary
value.
Sharmila Rege
provides an incisive foreword, placing the book within its
tumultuous social context.
[from the back cover]
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